This is one part of quilting that I really don't like. Washing and ironing all the fabrics before cutting. Since I am a bit stuck waiting until my backing and sky fabrics get here in the mail, I decided to get a head start on the washing. Above are the mermaid colors going into one wash, and below are all the wave colors getting washed together. One thing that is good is that if any of them release a bit of dye, being batiks no one will ever know.
I have reworked the cartoon twice since last night. I am really happy with the movements of the water now. They were a bit forced before. I can tell you that the drawing itself is of two mermaids swimming within a large, breaking wave. There is a lot of movement and depth. I hope I can pull it off with the colors I choose. My brain gets so ahead of my hands though. I can already see how it will be finished, the quilting, the beading, the contrasts and the many intricate patterns on the fabrics. One of my "things" is to use very busy fabrics, next to each other with the colors playing off each other. I am just loving some of my fabrics for this one. In the picture on top, I will be using a piece I bought over 5 years ago. It's the one with the seashells on it, and I will be using it for the tail of one of the mermaids. In the second picture, some of my favorites are the navy blue with the coral on it and there is a piece hiding a bit on the far right which is very intricately drawn with dots and teardrops. The later is a piece I recently found on line at Hancock's with a whole grouping of other "friends." I could literally spend a fortune on batik fabric.
Well, I need to put the first wash into the dryer now and get the second load going. A woman's work is never done!

While I will be talking much about how this is going, these are the only pictures you will see of Mermaids until it is done and I know whether or not it is accepted in a show. I was just perusing my latest Fiberarts magazine when I found a call to entry for a show in Lowell, MA whose theme is the sea. Hmmmm........ I would have until June 15 to finish this one and get them an entry. I'm going to try, anyway. Above are my choices for lights, medium and dark tones for the water.
Violets, yellows and greens comprise the spectrum for the mermaids themselves.
...and here it all is sitting on my work table. I'm only missing one key piece. My sky. I just can't seem to find just the right mix of pale blue, pink, yellow, peach and gray. Still searching all my fabric haunts for that one key piece.
The cartoon was completed for this one a while ago, but I am tweeking some of the lines. I need for it to seem very fluid and not stiff at all. The size is so large that I need to put it sideways on my table and it's width exceeds the width of my work wall by about 18". Nevertheless, I am very excited about this being a challenge to finish in time for a show. We'll see how it goes. I am still hand stitching the wolf at night. Once he is done I will have to shift gears to "Mermaids" almost all of my spare time to get it done. Wish me luck!
As a post script to this post, I have found a wonderful backing fabric, 108" wide and I think I have found my sky. Thanks to Hancock's of Padukah and Seawatch Fabrics! I'll be watching my mailbox for the next few days.
With the sample wolf cut, I felt OK about setting out to cut the full sized wolf. Every quilt I do has it's similarities in how I put it all together, but there are always a few problems to solve in how to get from point A to point B. I want the wolf to have some extra padding, to give him a little 3D, jump right out of the quilt, feel. Stitching each piece to the backing would not allow me to do this. So I decided to stitch the wolf to a piece of muslin first so that I could cut some padding to go under the whole wolf. I will then stitch around the edges to sew the wolf to the backing. Hand or machine quilting will then define areas of the wolf.
I started yesterday before going to work with the navy wool. I drew patterns as I usually do from tissue to cut the three pieces out. Fusing large blocks of fabric with Wonder Under makes cutting easier to control with the paper backing still on. I was pleased with the accuracy of the cut pieces. Yesterday I also got the muslin cut and the pattern pieces all drawn on the tissue.
OK, these aren't the best photos I have ever taken. My little digital camera uses lithium batteries. They don't last long and obviously I need some new ones. All the pieces for the wolf got cut today and I fused them to the muslin. Once the inner stitching is done I will cut the muslin to the outside edges of the wool to prepare to stitch the whole to the backing. After fusing, I couldn't resist the urge to see how it looked on the backing with the tree in place. I pinned it to the quilt on the work wall and took a whole lot of pictures, which came out awful - thanks to my waning batteries. Above and below are the best of those photos.
Generally I am pleased with the progress. Tomorrow, another day off work, I will be experimenting with thread color on my sample. I am thinking that I will be choosing bright colors to liven up the dullness of the wools. I like the lines of the wolf a lot and I have some fun ideas of how to use those lines to create some excitement with wolfie. I'm going to buy some new lithiums tomorrow morning so I will be taking more shots tomorrow night.