Just a quick hello to my readers. Welcome Quilt Architect. I do so appreciate all my readers and often wonder why anyone bothers with my drivel at all. But thank you all.
I'd like to be able to say that I have been a busy bee but that is not the case. I have a day job which 9 months of the year is really a small part of my life. But in the last quarter of the year it becomes a monster - it's retail and holiday related. For Oct., Nov., and Dec. it will surely suck the life force out of me. But I need it to survive, so I put up with it. I am so looking forward to January and a rejuvenation of my creative energies.
I can and do some things in the studio for small periods of time. I am keeping up with the BOM with Sue and Terri, I'm still able to draw some and to do hand work at night, but my energy level keeps me from accomplishing much. My gardens are going into sleep mode. I have cleaned out all but one, moved the bird feeders closer to the house, and cleaned out all my deck pots but a couple. My mandevilla and hibiscus do not want to give up to the cold nights, so I still have a few blooms there. But even my cactus, above, has drooped in wait for the snow that will surely come.
At least I am still dreaming of the art I want to create. This is good. And I will soon be myself again, listening to beautiful music in my studio and stitching to my hearts content as the snow blankets my gardens and stops all other activity outside Studio Girasole.
Thursday, October 29, 2009
Tuesday, October 20, 2009
I took an hour to take a walk with my camera today because it was just so wonderfully warm. A balmy 60 in Rhode Island. I wanted to capture some of nature's best during this stunning season. I started in the driveway. We only have one maple on a lot full of oaks. It's a bit squeezed under the mighty oaks but the leaves still turn a brilliant red - just not all at once. A nice study for a future quilt.
Clusters of berries just captivate my eye. This sprig was hanging very near a nest. The elusive bird occupants scurried into the underbrush to avoid my stare. I didn't want to get too close for fear that they would not return.
This hedge is at least 50 feet long, planted between two neighbors' homes as a screen. There is nothing more dramatic in the fall than Burning Bush.
The needles of a white pine are so much fun up close. They create such a linear feel, I can't help but see stitching lines for a quilt when I look at them.
These and many more photos taken today will find themselves used creatively in drawings to come on cold and snowy days in winter. But for now, I'm just loving fall.
Clusters of berries just captivate my eye. This sprig was hanging very near a nest. The elusive bird occupants scurried into the underbrush to avoid my stare. I didn't want to get too close for fear that they would not return.
This hedge is at least 50 feet long, planted between two neighbors' homes as a screen. There is nothing more dramatic in the fall than Burning Bush.
The needles of a white pine are so much fun up close. They create such a linear feel, I can't help but see stitching lines for a quilt when I look at them.
These and many more photos taken today will find themselves used creatively in drawings to come on cold and snowy days in winter. But for now, I'm just loving fall.
Monday, October 19, 2009
Comments
Just a note to those loyal readers who have been unable to leave comments. I believe that the problem has been finally fixed. Fire away. I very much welcome your comments.
Sunday, October 18, 2009
Studio Girasole
Last week many of my internet friends working in the fiber arts showed pictures of their studios on their blogs. I found it so much fun to see the places that were the beginning spaces for so much exciting art. It was fun to imagine my friends in their spaces working diligently. Some of these were even videos with explanations of where their stashes and supplies were kept and how the storage spaces were made to order for each artist.
So I decided that maybe you might also like to know how I use my space to work. Above is a photo of my drawing table and my major work table behind it. My studio space takes up a little over half of a huge heated sunroom off the back of our house. There are three sets of windows like the one pictured along one long wall. At the ends of the room are two sets of sliders leading to two decks. Above is a slanting vaulted ceiling with three skylights. The room faces the southern exposure and is extremely sunny during the day. In the summer I always pull the blinds to offer a bit of shade and keep the temperature down.
My drawing table faces out the middle set of windows and my butterfly garden. This garden is full of the flowers I love to draw. Sometimes if it is too hot in the studio I just take myself out to the decks with a sketchbook and a lawn chair and draw near the gardens.
Most of the fabrics I use for my quilts are cottons and silks. I use a very deep and large armoire to house most of my fabrics, cottons arranged by color and silks on the second shelf left. Many of my specialty fabrics are in tubs on shelves in the basement. I also have three large containers arranged by color in the cabinets under my work table of scraps too small to fold, ultrasuede, tulle and organzas. The table cabinets also hold all my batting, fusible web, buttons, trims, ribbons, beads and some of my projects. There are four deep drawers in the cabinet which hold all the pins, scissors, and small tools. My threads are in plastic containers kept in a center shelf in the cabinet and also in the drawers of my sewing cabinet.
My workspace is such a wonderful piece of furniture. I used to work full time for a local chain of a fabric store. They closed doors a few years back about the same time we bought this house, so I purchased one of their cutting tables with the cabinets below. You can see that I have a retractable extension to the table which I fold down on occasion to make more room in the space but often I use this space to lay out my quilts and I cut closer to the wall. There is a metal cutting guide on the side closest to the wall which is great for cutting batting straight.
Above the table are two covered cork boards that I use as a place to pin up ideas, cards, photos and whatnots. On one of these boards I have a small piece that I bought from Susan Shie when taking her workshop. Her St. Quilta keeps watch over my space. In this photo you can see the second window that I sew in front of. My Bernina is housed in a standard sewing machine table under the window which also came from the unfortunate closing of the fabric store. To the far left you can just get a glimpse of my work board. It is an 8' x 4' piece of sound insulation covered twice over with white felt. I have yet to screw it into the wall because it is so heavy that it will take three of us to hold it and one to screw it to the wall. To it's left is one of the sliders.
Well, it was not as comprehensive a tour as some of the ones I saw last week but at least you get an idea of where the work I love to do comes from. For most of my time sewing my quilts I have not had the luxury of this room. In my first house, a tenement, I used part of my living space and the dining room table. My second house was a single family but I really didn't have any space for me there either. I used the dining table, which was at that time our major eating table. I had to put up and take down the machine every time I sewed. I got a lot of work done in both of these places and sometimes I wonder how in the world I did it. The two years that I owned my loft space were the most wonderful and expanding years for me to find the artist inside. They planted the seed within me for the desire to continue to value my work space in my life. So when Tony and I were looking for a new home outside the city, a place just for my studio was the most important priority to me.
As I get older, I wonder how long we are going to be able to stay here in this high maintenance home. My biggest fear is the possibility of losing my space again. But I try to take it a day at a time and each day I am in the studio, I consider it a true gift. It's late but I think I'll go sew in the studio now. Hope you enjoyed the tour.
So I decided that maybe you might also like to know how I use my space to work. Above is a photo of my drawing table and my major work table behind it. My studio space takes up a little over half of a huge heated sunroom off the back of our house. There are three sets of windows like the one pictured along one long wall. At the ends of the room are two sets of sliders leading to two decks. Above is a slanting vaulted ceiling with three skylights. The room faces the southern exposure and is extremely sunny during the day. In the summer I always pull the blinds to offer a bit of shade and keep the temperature down.
My drawing table faces out the middle set of windows and my butterfly garden. This garden is full of the flowers I love to draw. Sometimes if it is too hot in the studio I just take myself out to the decks with a sketchbook and a lawn chair and draw near the gardens.
Most of the fabrics I use for my quilts are cottons and silks. I use a very deep and large armoire to house most of my fabrics, cottons arranged by color and silks on the second shelf left. Many of my specialty fabrics are in tubs on shelves in the basement. I also have three large containers arranged by color in the cabinets under my work table of scraps too small to fold, ultrasuede, tulle and organzas. The table cabinets also hold all my batting, fusible web, buttons, trims, ribbons, beads and some of my projects. There are four deep drawers in the cabinet which hold all the pins, scissors, and small tools. My threads are in plastic containers kept in a center shelf in the cabinet and also in the drawers of my sewing cabinet.
My workspace is such a wonderful piece of furniture. I used to work full time for a local chain of a fabric store. They closed doors a few years back about the same time we bought this house, so I purchased one of their cutting tables with the cabinets below. You can see that I have a retractable extension to the table which I fold down on occasion to make more room in the space but often I use this space to lay out my quilts and I cut closer to the wall. There is a metal cutting guide on the side closest to the wall which is great for cutting batting straight.
Above the table are two covered cork boards that I use as a place to pin up ideas, cards, photos and whatnots. On one of these boards I have a small piece that I bought from Susan Shie when taking her workshop. Her St. Quilta keeps watch over my space. In this photo you can see the second window that I sew in front of. My Bernina is housed in a standard sewing machine table under the window which also came from the unfortunate closing of the fabric store. To the far left you can just get a glimpse of my work board. It is an 8' x 4' piece of sound insulation covered twice over with white felt. I have yet to screw it into the wall because it is so heavy that it will take three of us to hold it and one to screw it to the wall. To it's left is one of the sliders.
Well, it was not as comprehensive a tour as some of the ones I saw last week but at least you get an idea of where the work I love to do comes from. For most of my time sewing my quilts I have not had the luxury of this room. In my first house, a tenement, I used part of my living space and the dining room table. My second house was a single family but I really didn't have any space for me there either. I used the dining table, which was at that time our major eating table. I had to put up and take down the machine every time I sewed. I got a lot of work done in both of these places and sometimes I wonder how in the world I did it. The two years that I owned my loft space were the most wonderful and expanding years for me to find the artist inside. They planted the seed within me for the desire to continue to value my work space in my life. So when Tony and I were looking for a new home outside the city, a place just for my studio was the most important priority to me.
As I get older, I wonder how long we are going to be able to stay here in this high maintenance home. My biggest fear is the possibility of losing my space again. But I try to take it a day at a time and each day I am in the studio, I consider it a true gift. It's late but I think I'll go sew in the studio now. Hope you enjoyed the tour.
Friday, October 16, 2009
Autumn Color in the Garden
This is one of my favorite fall combinations in the half-moon garden. Burning bush is in the forefront with an unusual coral bells behind.
There is nothing more transitional than sedum. This variety started out as a pale pink and daily is making the change to a deep crimson. I keep sedum growing all over the yard just for the pulse of color in the fall.
This hydrangea has doubled in size this year and has produced double the flower heads. They started out white and are deepening to a rosey pink.
As I take my walks through the autumn garden I am reminded of the cycles of life and death. It's time to start cutting down the dying summer growth from all the perennials and preparing them for winter frost and frozen earth. We are just surrounded by large oak trees and even though most of the leaves stay on the trees until spring sprouts push them off, we still have mountains of leaves and acorns. The chipmunks are absolutely crazy busy rounding up all the acorns.
We are starting to think of winter. The patio furniture has been stripped of it's pads, the umbrellas down, and the pots of flowers emptied. No more mandavillas or hibiscus, the cool nights have nipped the life out of them. My cactus, the one unusual plant that will survive the cold, has drooped and is starting to wilt. It has made it through two winters OK in it's large pot in a protected corner of the deck. A few more chores are left to do. The wood in the shed needs to come down to the garage for fires on those cold winter nights. The garden tools need to be cleaned and put in the shed until spring. The garage needs cleaning out so we can fit our cars inside to avoid the mountains of snow coming our way.
Likewise I am looking to my studio with different eyes. All the wonderful windows, sliders and skylights are like double edged swords in the winter. What sun we get will help to warm the room in the day, but also wick some of the warmth out at night and the glass is so cold. I need to make insulated curtains for the windows. When we moved here, the window treatments in the studio were vertical blinds. Unwilling to spend a lot of money, we just left them. They do nothing to help to insulate against the cold and need to be replaced. A huge task, it is daunting to me. As much as I love sitting at my machine for hours working on a quilt, I hate sitting at it to perform mundane chores like curtains.
With the coming of snow and after the holidays are over, there will be time to quilt long hours again. My day job will wane in hours, and there will be no garden chores to take my time. But I'll have to wear heavy sweaters and socks in order to stand the cool of the room. My machine gets more use in winter as it is warming to sit with a quilt on your lap stitching at a machine. There are a couple of juried shows that I would like to create work for. I will use the drawings I sketched this summer to develop pieces for them.
This shift in perspective, moving from the extroverted warmth of summer to the inner workings of winter is happening as I type. A slow shift inward.
There will be more here on this progression as time moves on.
Wednesday, October 14, 2009
Mish-mash
It's been too long since I have blogged. Those who look to read often were probably disappointed to see the same old post. Sorry. With fall come increases in the hours I work my day job. I work as a retail sales goddess for a national card and gift store to remain unnamed. Their focus is to sell lots of stuff for upcoming holidays. They are in their peak season. And I am wishing it was still summer when I only had to work 12-15 hours a week. Unfortunately, I have to keep the job to pay some of the household bills. Not retired yet!
I have been taking time to sew as often as I can, I just can't devote the time I had a few months ago. Above is the September quilt square done for a block of the month club at Two Creative Studios. I am looking forward to the next months. I very seldom work traditional quilts but I do love to do them. This should be a very fun aside.
I found a pattern for a bee in an old magazine recently. I love bees as subjects for my drawings so I just had to make up a few squares. I'm going to make a few more up in different colorways. Not sure what I will do with them then. But I love the way they came out.
I've been hand stitching on 'Chlorophyll' too. Using embroidery floss to create the random stitches above. I'm not sure about the pale green floss. I think I might take it out and substitute another color. All the handwork is done on the border, so as soon as I finish this embroidery, I'll move on to some more machine quilting.
Again, I'm sorry to have taken such a long break from posting. I'll try harder to find more time for the blog. Thanks for reading.
I have been taking time to sew as often as I can, I just can't devote the time I had a few months ago. Above is the September quilt square done for a block of the month club at Two Creative Studios. I am looking forward to the next months. I very seldom work traditional quilts but I do love to do them. This should be a very fun aside.
I found a pattern for a bee in an old magazine recently. I love bees as subjects for my drawings so I just had to make up a few squares. I'm going to make a few more up in different colorways. Not sure what I will do with them then. But I love the way they came out.
I've been hand stitching on 'Chlorophyll' too. Using embroidery floss to create the random stitches above. I'm not sure about the pale green floss. I think I might take it out and substitute another color. All the handwork is done on the border, so as soon as I finish this embroidery, I'll move on to some more machine quilting.
Again, I'm sorry to have taken such a long break from posting. I'll try harder to find more time for the blog. Thanks for reading.
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